The Discrete 4 & 8 bring exemplary sound quality to home studios and mobile recordists. Featuring console-grade, 6-transistor discrete preamps, flawless conversion and clocking. Discrete 4 & 8 come with an ever-growing selection of vintage FX, including EQs, compressors, guitar amps and cabinets. Discrete 4 comes with 4 analog I/O, monitor outs and 4 headphone outs. Discrete 8 offers 8 analog I/O on DB25, a pair of monitor outs, 2 HP outs and 2 ReAmps.

The Edge Strip is designed to model a variety of vintage microphones, preamps, EQs and compressors. It contains Antelope Audio’s renowned Edge Modeling Microphone and Discrete MP — an all-analog dual-channel microphone pre-amplifier, designed to deliver Antelope’s signature pristine audio quality. Edge Strip owners also enjoy a package of free native FX plug-ins. Users will be able to additionally upgrade their FX libraries. The Edge Strip is fully analog and will fit any setup.

Zen Tour is a Thunderbolt™ & USB desktop audio interface with 4 class-A Mic/Line inputs, 4 extra Hi-Z, Line ins, 2 transformer reamps and built-in Talkback. It offers full access to the ever-growing Antelope Audio library of vintage FX models of iconic gear from BAE, Grove Hill, Gyraf Audio, Lang and more. Featuring both Antelope's signature flawless clocking and conversion Zen Tour brings top studio sound in its class and beyond.

A one-of-a-kind box with 12 world-class mic preamps, exemplary clocking, and custom FPGA chip. Zen Studio+ is nothing less than a high-end mobile recording system capable of turning any location into a professional recording studio. With a combined 20 analog inputs, 2 monitor outputs, 8 Line Outs, ADAT, S/PDIF, 2 ReAmp outputs, a2 headphone outs, and integrated

Featuring discrete electronics and circuits personally designed by Antelope founder and CEO Igor Levin, the Edge & Verge modeling microphones stand out with their sturdy build quality, exemplary transient response and natural, refined sound. Edge has two hand-selected capsules in its architecture for optimal recording flexibility. Verge is a compact, versatile microphone that can make its way into any recording session by virtue of its ability to handle high SPL instruments like drums and percussion.

With 12 Class-A Mic Pres, Orion Studio Rev. 2017 is the one piece of gear you’ll need to record a full band like a pro. For 2017 Orion Studio got brand new AD converters, raising its dynamic range to an industry best 124 dB. Now coming in a gorgeous carbon grey faceplate, Orion Studio Rev. 2017 features the full array of real-time FPGA vintage FX and Antelope’s stunning conversion and clocking.

A successor to the world's first 32-channel AD/DA converter, the biggest strength of Orion 32+ is its ability to endow your studio with 64 channels of 24-bit, 192kHz low-latency audio over Thunderbolt. 8 DB25 connectors handle analog audio and a pair of TRS connectors facilitate monitoring. That's not all there is to it, though - there's also MADI, USB, ADAT, and S/PDIF for complete connectivity across the board.

Compatible with any DAW on the market via HDX port or USB 3.0, this new Pro Tools HD and Native interface offers everything Antelope Audio stands for. Zero latency Monitoring, I/O streaming of 64-channel 192 kHz audio, flawless clocking and conversion. Orion32 HD features a fine selection of vintage FX powered by Antelope Audio’s innovative FPGA technology bringing modeling of legendary vintage gear to a whole new level.

HDX connectivity, 12 Class A mic pres, 16 analog outs, a pair of mastering-grade monitor outputs, 2 ReAmp outputs, 8 channels of ADAT, and 2 channels of S/PDIF. The Orion Studio HD offers all that, and with the Antelope Audio library of real-time FPGA FX, this interface is nothing short of a studio workhorse! Featuring exemplary 24-bit, 192kHz audio conversion, Orion Studio HD allows for simultaneous streaming over HDX, USB 3.0, MADI, ADAT, S/PDIF, DB25.

Goliath HD is a 64-channel audio interface with extensive connectivity! We are talking 16 Accusonic mic preamps, 32 analog line I/O, 8 instrument inputs, 2 re-amp outs, 2 headphone outs, and mastering-grade monitor outputs. That's just the analog side! On the digital side, we have AES, MADI, ADAT, and S/PDIF connectors along with Thunderbolt, HDX, and USB 3.0 ports for simultaneous streaming of 64 channels of pristine 24-bit, 192kHz audio.

Housing a total of 36 analog ins and 32 analog outs, as well as Thunderbolt, USB, and two MADI ports, Goliath is the most powerful audio interface on the market. It is all about the clarity of digital and the realism of analog. Goliath boasts 16 Class A mic preamps, pristine 24-bit/192kHz conversion, our best jitter management and clocking technology, and the Antelope Audio circuit-level FPGA emulations of assorted vintage gear.

Satori is the Antelope Audio NAMM Tec Award-Winning high-end monitoring controller. Designed for mastering-grade transparency and impecable analog detail, Satori is a monitoring solution with utmost sonic accuracy when routing and switching between audio sources. It retains the characteristically great sonic performance of our relay attenuators and presents a specialized PCB layout and power supply technology designed for sterling, mastering-grade quality.

The final piece of the Satori puzzle is R4S, the unit's dedicated remote control. The bus-powered remote replicates Satori's front panel functionality, allowing comfortable and ergonomic control directly from the mix position. With the R4S, engineers are privileged to fast and precise control over sources, monitors, and talkback. It's no wonder this innovative, fully-featured system was honored with NAMM's prestigious Tec Award — Satori truly has it all!

Pure2 is a mastering converter which features the acclaimed Acoustically Focused Clocking jitter management algorithms alongside clear and transparent-sounding analog circuitry. The unit is powered by a proprietary multi-stage linear power supply for reliable, noise-free operation. It also boasts a dual DAC architecture for improved stereo imaging and signal-to-noise ratio, as well as a dedicated D/A converter which allows monitoring a secondary source.

MP32 was masterminded as the perfect match for the Orion 32 family of audio interfaces. Featuring 32 class-A mic pres with phantom power and 32 line inputs — four of which can operate as Hi-Z instrument inputs — it provides users with full sonic transparency and complete signal integrity throughout the whole chain. From the mic pres through the conversion, recording and playback, all of it is characterized by the signature Antelope sound.

LiveClock is a portable 192kHz master clock that blends digital perfection and analog detail. Unique in size, sound quality and price, LiveClock is packed in a robust aluminum case and ready to go in your rack or FOH console. Designed to suit any live sound set up, this portable clock carries the signature Antelope sound with 64-bit acoustically-focused clocking algorithm. It boasts 4 word clock outs on BNC and 2 pairs of AES/EBU & S/PDIF.

OCX HD is a 768 kHz Master Clock by Antelope Audio. It features 4th generation Acoustically Focused Clocking (AFC) jitter management algorithm and oven-controlled crystal oscillator. OCX HD Master Clock offers a great variety of clocking options – 10 configurable in pairs Word Clock Outputs on BNC, four AES/EBU Outputs and two more on S/PDIF. This vast assortment of connectivity makes the OCX HD the most versatile audio master clock.

From the masters of clocking at Antelope Audio comes 10MX, an Atomic Master Clock (AMC) with sample rate support of up to 768kHz housed in a gorgeous 1U rackmount unit. The 10MX boasts a freshly designed miniaturized atomic oscillator alongside a new power supply which made it possible to optimize the unit's dimensions
and weight. Furthermore, there's a new software control panel providing remote control for clock rates and display brightness.